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How to price a website project

How do you price a website project?

Fix the scope in writing, estimate the work privately, then quote one fixed price for the outcome rather than for your hours. Add a contingency for the unknowns you accepted, state what is excluded, and attach a change process. The estimate stays internal. The client sees scope, price and timeline.

Last reviewed 7 October 2026

There are two questions hiding inside "how much should I charge for this website", and most people answer the wrong one. The first is what the work will cost you. The second is what the result is worth to the client. You need the first to avoid losing money and the second to set the price.

This is the method we use, in the order we use it. It is deliberately not a rate card: a five-page brochure site and a booking platform are different jobs, and a published number for "a website" is wrong before you finish typing it. For what UK buyers are quoted, our guide to what a trade website costs has the market ranges with their sources.

Why does hourly pricing lose money on website projects?

Because it punishes you for getting good. The faster and more experienced you get, the less you earn for the same result, which is precisely backwards. It also hands the client a meter to watch, and a client watching a meter asks for less than they need.

Worse, it makes every conversation about your speed instead of their outcome. Nobody buying a website wants to buy hours. They want enquiries, or credibility, or to stop losing work to a competitor whose site looks current.

  • Hourly rewards slowness and penalises expertise.
  • It invites scrutiny of your time instead of your work.
  • It makes the number unpredictable, which is the thing clients hate most.
  • It caps you at the hours in a week, which is a low ceiling.

Where this goes wrong: Replacing hourly with "day rate", which is hourly in a bigger hat. The same incentive problem applies, and the client still buys your time rather than the result.

What actually sets the price?

Four inputs, in this order. Get them in the wrong order and you end up justifying a number instead of setting one.

  • Scope — what is being delivered, written down, with the edges named. Without this nothing else is meaningful.
  • Cost — what the work takes you, honestly, including the bits you always forget. This is your floor, not your price.
  • Value — what the result is worth to this client's business. A site that wins commercial contracts is not priced like a site that exists to look respectable.
  • Risk — the unknowns you are agreeing to absorb. Legacy content, a third-party integration you have not seen, a client with four decision-makers.

Where this goes wrong: Starting at value. Pricing on value with no idea of your cost is how people sell a six-week job for three weeks' money and only find out at week five.

How do you estimate without showing your hours to the client?

Estimate in whatever units you like, privately. Break the job into the pieces you have done before, put a number on each, and add the pieces everyone forgets — content wrangling, revisions, the handover, the launch day, the week of small fixes afterwards. That is your internal cost.

Then put it away. The client's document contains scope, deliverables, price and timeline. It does not contain days, hours, or a breakdown that invites them to remove a line to save money. The one exception is a monthly retainer, where a guide amount of time is what gives the fee something to anchor to.

  • Estimate privately, in pieces, from jobs you have actually done.
  • Add the invisible work — content chasing, revisions, handover, launch, aftercare.
  • Add contingency against the specific risks you named, not a vague percentage.
  • Show the client scope, outcome, price and dates. Nothing else.

Where this goes wrong: Sending a line-by-line cost breakdown "for transparency". It reads as an invitation to negotiate each line, and the lines they cut are always the testing and the aftercare.

Should you quote one price or three options?

Three, where the job genuinely supports it. A single price is a yes-or-no question, and about half of all yes-or-no questions are no. Three options change the question to which one, which is a far better question to be asked.

Make them genuinely different in scope rather than three sizes of the same thing, mark the middle one as recommended, and make the cheapest one something you would actually be happy to build. A deliberately crippled bottom tier is obvious and it damages trust.

  • Option one — the smallest thing that solves the problem properly.
  • Option two — what you would do, and say so. Most people take this one.
  • Option three — the version with the growth work included, for the client who is ready.

Where this goes wrong: Making the cheapest option one you hope they do not pick. If it is not a good-faith offer, do not put it on the page.

What makes a fixed price survivable?

Change control, and nothing else. Fixed price without a written change process is not a business model, it is a bet that you scoped perfectly, and nobody scopes perfectly.

The wording is simple and it goes in the proposal and the agreement both: anything outside the agreed scope is quoted as a fixed price before any work on it begins. That one sentence is what lets you say yes to a mid-project request without losing the job's margin.

  • Name the deliverables precisely enough that "is this included" has an answer.
  • Name the exclusions explicitly. Content writing and photography are the two biggest.
  • State the number of revision rounds, and what a round is.
  • State what you need from the client and by when, because a late client is the most common cause of an unprofitable project.
  • Quote every change before doing it. Every time, including the small ones.

Where this goes wrong: Absorbing the first three changes to keep the relationship warm. You have now taught the client that changes are free, and the fourth one will be large.

Should discovery be free?

A first conversation, yes. Real discovery — stakeholder interviews, content audits, a technical review of an existing site, a specification — is the work, and it is often the most valuable part of the job. Giving it away for free both devalues it and means you are scoping on guesses.

Where a project is large or genuinely unclear, sell a paid discovery as its own small fixed-price piece whose deliverable is the specification and the quote for the build. The client gets something useful even if they then go elsewhere, and you stop writing speculative proposals for jobs you cannot size.

When should you walk away from a project?

Pricing a job you should not take is the most expensive mistake on this page, because you will usually win it. The signals are consistent and they show up before the contract, not after.

  • The budget is a third of your floor and the scope is not negotiable.
  • Nobody can tell you who signs it off.
  • They are reluctant to put the scope in writing.
  • The previous supplier is described as the whole problem, with no account of what the client contributed.
  • The work is in a regulated sector — financial promotions, claims, health — and nobody has mentioned the compliance side. That is not a pricing question, it is a do-not-take-it-without-specialist-advice question.

Where this goes wrong: Pricing high to make a bad project tolerable. A difficult client at double the fee is still a difficult client, and they will take the time you needed for the good work.

The document version

Once the number is set, the proposal is what wins or loses it. The template has the structure, the scope and exclusions sections, and the change-control wording already written.

Get the proposal template

What this does not cover

  • It does not give you a rate card. No published number for "a website" survives contact with an actual scope, and a figure we invented for a page would be worse than none.
  • It does not cover your VAT treatment, payment terms or late-payment remedies. Those belong in your agreement and depend on your own position.
  • It says nothing about what you will earn. There is no forecast here, and anyone offering one about your business is guessing.
  • It does not cover pricing for regulated sectors, which carry obligations well beyond a quote and should not be taken on without specialist advice.
  • It does not cover retainers or maintenance, which price completely differently.

Nobody has taken an HDC Academy course yet, so there are no student numbers, reviews or results on this page. What is here is the process we use on client work, written out.

Next, from the same library

Where this fits

These documents come out of the library HDC Academy is built from: the standards, checklists and templates we deliver client work to. The Academy is in development and the courses will teach the whole system, not just the paperwork.

See what HDC Academy is

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Questions people ask about this

Should I charge hourly or a fixed price for a website?

Fixed price, against a written scope. Hourly caps your earnings at the hours in a week, penalises you for getting faster, and makes the final number unpredictable, which is what clients dislike most. Estimate your hours privately to find your floor, then quote the outcome.

How much contingency should I add to a website quote?

Enough to cover the specific risks you have accepted, not a round percentage out of habit. If you are integrating with a system you have not seen, that is the contingency. If the client has four decision-makers, so is that. Name the risk, then price it.

Should I show the client a breakdown of the price?

Show deliverables and scope, not hours or a cost per line. A line-by-line breakdown reads as an invitation to delete lines, and the lines clients delete are usually testing, content and aftercare — the ones that protect the result.

Is it worth charging for discovery?

On anything large or unclear, yes. Sell it as a small fixed-price piece whose deliverable is the specification and the build quote. The client gets something of value either way, and you stop sizing projects on guesswork.

How many quote options should I give?

Three, where the job supports it. One price is a yes-or-no question; three makes it a which-one question. Make them genuinely different in scope, recommend the middle one, and only include a cheapest option you would be happy to deliver.

This is one page out of the library

HDC Academy teaches the whole system it comes from. It is in development, there is nothing to buy yet, and people who register hear first.

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